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For the first 50 years after the signing of the Declaration of Indpendence on the 4th of July, American women would present their appreciation of the nation's hard-won liberty as handiwork in the form of banners, flags, or standards to groups of soldiers of the United States military. These Independence Day presentation ceremony would allow the women to speak about what the new nation & its defenders meant to them, even though they would not be allowed to vote until 1920. These female orators could be viewed as the embodiment of Lady Liberty herself.
Symbols, like those of Lady Liberty illustrated here, are visual shorthand. The English and the colonists had begun depicting America as a lady even before the American Revolution.
These symbols were propaganda tools to draw together the country's diverse peoples, who spoke many languages, in order to promote national political union & purpose. Lady Liberty evolved throughout the decades of the early republic to meet the propaganda needs of the current situation.
This 18th century Lady Liberty freeing a bird from its cage, giving political liberty to the United States from Britain, while holding a liberty cap hung on a pole. Lady Liberty was almost always depicted in a classical costume. Before the Roman Empire, similar felt caps were worn by liberated slaves from Troy & Asia Minor to cover their previously shorn heads, until their hair grew back. Here the cap symbolized a more intimate emancipation from personal servitude as a subject of the British Empire rather than united, national liberty. The caps were sometimes referred in Latin as pilleus liberatis. In classical literature, the cap atop a pole was a symbol of freedom evolving from the period when Salturnius conquered Rome in 263 BC; and he raised the cap on a pikestaff to show that he would free the slaves who fought with him. The cap was such a popular symbol that it was also depicted on some early US coins.
Lady Liberty is holding a musket & powder horn, ready to fight for freedom. 1779 Broadside. New York Historical Society. SY1779 No. 2.
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